There are other published treatments of Theodore De Bry's America plates, but in lavishness of production, this Michiel van Groesen and Larry Tise compilation surpasses them. All the plates from the first nine volumes (1590-1602) of De Bry's America are illustrated in oversized format (the pages measure 15 1/2" x 11") on lovely paper, most in crisp full color. This enlargement highlights details one might otherwise miss, but at the same time does not convey the exact visual impression of the original plates, where, for example, crosshatching may read as tonal rather than as a the series of intersecting lines visible on an enlargement. Introductory essays by the editors treat the De Bry firm's history and commercial strategy (van Groesen), and, for the first time (to my knowledge) the artistry and varying approaches of the colorists who illuminated some copies (Tise). There is no standard shop color. German examples may have heavy, dense, dark color -- those dour Germans! French examples may have lighter, more luminescent color (p. 32). Readers will have their own preferences: to my eye, the treatment of the smoke and fire in the engraving illustrated on the cover and on p. 47 (Mariners' Museum copy) is flat-out gorgeous, while the same scene in another example of the plate on p. 75 (Brown University copy) comes across as almost garish. This is a book about the copperplate illustrations to De Bry. They are superbly presented. The editors provide a select bibliography, but do not engage directly with earlier work on 16th century map and print coloring. The joy of turning these pages lies in the stunning images.